“Kullu is a very special place. Once you arrive, you are captivated. It’s fascinating to see how three very different artists have responded to one region – be it the monumental oils of Catherine Goodman, the intricate pencil drawings of temples by John Nankivell or the clarity of the light captured by Christina Noble’s photographs”
Shehani Fernando, curator of the exhibition
The show Kullu Perceived: Images of a Himalayan Valley explored the region through the eyes of three artists who have kept returning there to make work. The exhibition at The Prince’s Drawing School space in east London brought together rarely seen images from over 40 years of her archive, a selection of which I have posted here for those who were unable to see the exhibition but who may still be interested in Christina’s work.
Christina Noble first went to Kullu in 1969 to trek from Shimla to Kashmir and ended up founding a Himalayan walking holiday business. Having lived in Kullu for the majority of the 70’s and 80’s and armed with her Nikon, her photographs reveal the relationship between the Pahari people and their dramatic surroundings.
Christina set up an artist residency programme and creative retreat, Prini Ropa in Kullu. Visiting artists, including painter Catherine Goodman, have been drawn to the Kullu Valley for over a century – attracted to the grandeur of the landscape and the culture of the Pahari people.