Tag Archives: Nadav Kander

Photo News – Call for entries to Renaissance Photography Prize 2013 with an early bird discount till 15 March

During my recovery period, day-to-day concerns became irrelevant, and I became more aware of the moments that really matter in life – moments of emotion, human connection, and wonder at the beauty of nature. What better way to represent those moments than through photography?”
Fiona Gifford, a lawyer and keen amateur photographer who was diagnosed with breast cancer, aged 34, founded the competition in 2006.


The Renaissance Photography Prize is now open for online entries and there is an early bird discount of 20% if you submit your images by 15 March. It is an international photography award that showcases outstanding photography from emerging or established photographers while raising funds to support young women with breast cancer. All profit from entries is donated to The Lavender Trust at Breast Cancer Care, UK and there are a range of prizes.

I’ll be on the judging panel for the Series category and have been a keen supporter of the competition, since I met Fiona in 2008. I will be supporting the competition on the blog until the deadline by featuring the logo. I recently did a short interview with Renaissance for its February newsletter, see below for an excerpt from the interview. The full version should be on the website soon as I had rather a lot to say. For now, here’s a taster:

You will be volunteering to judge this year’s prize – What made you support Renaissance?
Honestly? My mother was diagnosed with advanced breast cancer in 2008 and I happened to meet Fiona [Gifford, the founder] the same year. We got talking and discovered a shared passion for photography. So many photo competitions charge entry fees that amount to a small fortune when you total them up and I often wonder where the money goes. With the Renaissance Photography Prize all the money goes to the Lavender Trust. 

What are you looking for when you judge a photography prize? 
I like to find images that resonate with me and give me a sense of the photographer, their vision and imagination. I am drawn to photos that evoke emotion… I see a lot of clichéd images that show me the same subjects, whether portraits or landscapes, portrayed in a generic fashion. With a series, it’s important that the photographs are cohesive and hang together as a whole. But that doesn’t mean that they all need to look the same – it’s about the overall sense of the series as well as about the individual shots. I think that one of the most challenging aspects in creating a series is producing a tight edit, one in which all the photos are working individually and together.

In the five years since its inception, Renaissance has raised over £200,000 for the charity. Entering gives photographers a chance to have their work judged by some of the top names in the industry and win prizes with a total value of over £5,000, including cash, photographic equipment, portfolio reviews and the winning series published in HotShoe Magazine. In addition, 60 selected photographs will form part of the Renaissance exhibition held this autumn in a prestigious London gallery.

Previous prize winners include Renaissance Photography Prize 2012 to Anastasia Taylor-Lind (United Kingdom), Calumet Film Prize 2012 to Julieta Sans (United Kingdom) and the Category Prize 2012 – Expression to Mimi Mollica (United Kingdom). See 2012 prize winners for more.


Photographers can enter single images (categories Expression, Ordinary and In Between) or a series of work in an open category. The competition is open to everyone and welcomes entries from all countries.

Single Image
Submit unlimited individual photographs
Categories: Expression – Ordinary – In Between
Entry fee: £15 for 1 photograph, £25 for up to 3, £40 for up to 6

Submit 5-8 photographs from one body of work + project statement
Category: Open, no theme
Entry fee: £50 per series

Monica Allende – Picture Editor, The Sunday Times Magazine
Simon Bainbridge – Editor, British Journal of Photography
Julia Fullerton-Batten – Photographer
Miranda Gavin – Deputy and Online Editor, HotShoe International
Nadav Kander – Photographer
Chris Littlewood – Director of Photography, Flowers Gallery, UK
Brett Rogers – Director, The Photographers’ Gallery, UK
Sophie Wright – Cultural & Print Room Director, Magnum Photos

The judges will select 60 photographs to be exhibited in London autumn 2013, and from these nominate the shortlist and winners. The winners will be announced at an award ceremony held during the exhibition week.

In previous years the judges, all of whom donate their time and expertise, has included Martin Parr, Eamonn McCabe and editors, curators and directors from respected UK institutions such as The Photographers’ Gallery, Michael Hoppen Gallery, Rhubarb Rhubarb and the Sunday Times Magazine.

About Renaissance
Six years on and the competition has become an established fixture in the photography world. Renaissance is growing each year and last year the competition attracted over 5,225 entries from 67 countries. It has enjoyed amazing support from photographers, editors, curators and photography organisations and aims to raise even more funds this year.

For more information please visit Renaissance Photography Prize or contact info@renaissancephotography.org.

You can also find Renaissance on Twitter and Facebook.


Sony World Photography Awards 2010 judges announced

© David Zimmerman, the 2009 L’Iris D’Or winner with his Desert Landscapes project

Sony World Photography Awards 2010 has announced the judges for the competition including photographers and visual artists working with photography. The Honorary Jury for the Sony World Photography Awards 2010 is made up of 12 specially selected World Photography Organisation Academy members. For the professional awards selection, “the 12 members will initially judge within their respective photographic genres of expertise. Later, as one collective group, they will select the overall winners in both the amateur and professional programmes, and the overall winner, the L’Iris D’Or”.  Last year’s L’Iris D’Or was awarded to David Zimmerman for his Desert Landscapes project. A jury for the Student Focus programme is also selected from the Academy members. The official pre-selection committee of the amateur competition is iStockphoto, “the internet’s original member-generated image and design community”.

For a name check on the judges, links to some of their work and a photograph from one of last year’s category winners of a lovely little Joey, surf on:

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News embargo broken on Prix Pictet 2009 winner – both parties respond

There are lots of points to consider in the light of the breaking of the news embargo announcing the winner of the Prix Pictet 2009 (22 October). However, I felt it important to ask and allow both parties to respond to my questions. In an age when  many people consider themselves to be journalists, it’s important not to lose sight of some basic journalistic principles, including the need to ensure that information is fair, accurate and honestly conveyed.

So far, the response from Jeanette Ward of Theresa Simon & Partners PR company, has circulated online only as reported by A Photo Editor. Both replies are posted below unedited:

Why was the news embargo in place? What was the purpose of the news embargo?
Jeanette Ward from Theresa Simon & Partners: “The news embargo of 21.00hrs (Paris, France) on 22 October 2009 was in place because the prize winner was to be announced at an awards event on the evening of 22 October. The nominees were not told in advance who had won. Naturally we did not want anyone at that event, which included the winner of the Prix Pictet 2009, Nadav Kander; the winner of the commission, Ed Kashi; and the majority of the ten other photographers nominated for the prize, to know who had won before it was officially announced by Kofi Annan. However, we did want to enable print media to report the winner the following day and for some broadcast media to put their pieces together with the winner in mind. For that to happen they needed to receive the information and images in good time for their deadlines earlier on 22 October, hence the early issue of the release with an embargo.

“It is disappointing that the embargo was broken, particularly for those directly involved in the event, many of whom would have had Blackberries with them, and for those friends, family and colleagues who might have been waiting to hear elsewhere in the world. However, a mistake was made: I thought that everyone on my media list was a journalist and would therefore understand the meaning of the embargo. In fact, A Photo Editor, told me on the telephone that he doesn’t describe himself as a journalist and he felt that he was spammed by our embargoed release. This was never our intention and he has subsequently been removed from our media lists both at his request and because we try to only send press releases to journalists.

“On hindsight the embargoed release only needed to go to a handful of selected daily print and broadcast media with online media receiving the release after the embargo had past. Obviously the use of embargoes does need to be reconsidered in this age of the internet and blogging and this incident has been a valuable lesson for me personally”.

Why did you decide to break the news embargo? Were you aware of the knock-on effect of taking advantage of knowledge before others?
A Photo Editor aka Rob Haggart: “I’m embarrassed it happened and it wasn’t intentional. I’ve pasted the top of the press release I received from the PR agency. (Press release: Embargo: 21.00 hrs, 22 October 2009). There’s no time zone on the embargo and I assumed that it had already occurred so I posted it. This is the first time anyone has ever sent me embargoed material and I told those idiots at the PR agency that they shouldn’t email blogs they have no relationship with. Spamming blogs with your press releases is horrible PR to begin with. Sending out the name of a contest winner before it’s been announced is stupid”.

International photo competition winners round up


© Edmund Clark wins The British Journal of Photography International Photography Award 2009 with Guantanamo: If the light goes out.

Edmund Clark has won The British Journal of Photography International Photography Award for his new project, Guantanamo: If the light goes out. Some of the work can be seen online at lens culture. One of the judges, Nick Galvin from Magnum Photos, said of the Guantanamo series: “Intellectually stimulating work.”

Clark’s previous project Killing Time was shot over two years, and captures life inside a wing for elderly prisoners. Follow this link online at Society Guardian, to see some of the work.

Winner of the £60,000 Prix Pictet photography prize for environmental sustainability is British based photographer Nadav Kander who was nominated for his series of photos Yangtze, The Long River Series, 2006-07 “documenting the rapidly changing landscape and communities of China’s Yangtze River, from its mouth to source”. Kander also scooped the $10,000 Lucie Awards IPA Prize in the International Photographer of the Year category with Elliott Wilcox as the Discovery of the Year and Rachel Papo as the Deeper Perspective Photographer of the Year (sponsored by Blurb). See earlier Hot Blog post on Wilcox.

To embargo or not to embargo?
I received the announcement of the winner last week but the press release was embargoed until 21:00. This raises the question of press embargoes and whether they are acknowledged. On a quick web search Katie Clifford found this post from aphotoeditor which was published before the embargo time. This begs the question as to whether, in a digital world where individuals can self  publish in real time, embargoes have any meaning. What happens when an embargo is not respected? If someone wants to “break” news, is it now a case of fastest fingers first? Later, aphotoeditor posted a reply to an email from a disgruntled press dept upset about him “breaking their news embargo”. “I think it’s insane that you would email blast bloggers the winner of a prize you haven’t handed out yet. PR at its worst,” he posted. Any views on this welcomed?

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Prix Pictet Shortlist 2009: The Great Divide – where are all the women photographers?

There are a distinct lack of women photographers in the upper echelons of the industry and it seems that now is the time to start doing something about it. This is not a rally call for positive discrimination measures to be put in place to deal with structural inequalities, or for women to be given extra special consideration, but a call to take stock and look at where, and how far, we may have come.

Now’s the time to start to examine the contemporary landscape and reflect on what has, and is, happening. For example, I received the Prix Pictet Shortlist 2009 invitation for the preview of the shortlisted work and book launch. And surprise, surprise? Not one woman photographer has made it to the shortlist. Does this matter? Not if it is a one off, but sadly, I think this is a trend that persists, even as we approach 2010.

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