© Nikki Luna, Leaf Cuttings
© Nikki Luna, Leaf Cuttings, the mother of one of the missing women opens a drawer
© Nikki Luna, Leaf Cuttings
Emil Kozak, Little White Plastic Bird
Emil Kozak, Big Black Nothing (2010-ongoing)
The Roaming Eye (tRE) comes across work in both physical and virtual spaces and will be presenting some of it under the heading Under Exposed. The aim is to support the less well-known, the small, and those who reach out to connect and share. There are many ways for photographers and visual artists to promote work; some have agents or galleries to do it for them, some have universities to push the work (and its reputation), some are brilliant DIY self-promoters. But then there are many, many others.
Those who are quieter; those who are still there – reading, looking and listening – who may push out occasionally, sometimes apologetically, often tentatively. Under Exposed is a space for these kind of photographers and visual artists – the ones who don’t overuse, or abuse, the social-media promotion machine, yet still feel that they have created something they want to share and to communicate. What have you got to lose? Certainly, you won’t lose face as cyberspace is the place to take risks.
So, Bring It On.
Get in Touch: If this sounds like you, or someone you know and want to support, then take a chance on the Roaming Eye and get in touch via email or the blog. Simply email some examples of work and/or a link. All work will be looked at and considered for inclusion. But remember, this is a curated blog so there is a filter system, but tRE likes to think its approach is open-minded and open-hearted. If you don’t agree, then why not comment. Web 2.0 was designed with dialogue in mind.
To kick off, tRE presents some images from Nikki Luna (whose website is, temporarily, in the process of being updated). Luna writes: “For the show, Shade my eyes and I can’t see you, (the title is from the lyrics of the Pink Floyd song Green is the Colour) my focus was to share the story of some women, who apart from being human-rights defenders, also chose to live and work with the poor, rural communities, teaching reading and writing. They were taken by military forces and were never seen again. Three of these women were killed by state security forces. The other two are still missing.
“These women are, first and foremost mothers, daughters, wives and sisters, and women to the people they have left behind. Not everyone may know, or understand, human-rights defenders, but we all know and have some close relationships with a woman in our lives. It’s sad that these women, all in their 20s, lost their lives and may be soon forgotten. The struggle to search and find them, the constant pushing for the truth, and the fact of injustice still goes on.”
For those who want to know more about the context, there’s an Amnesty International video documenting the story of the two women who are still missing. Note that the video The Escape of Raymond Manalo has subtitles and shows scenes of a graphic and disturbing nature.
“University of Philippines students Karen Empeno and Sherlyn Cadapan were among those who disappeared. Raymond Manalo, who was kidnapped by the Philippino army under the ex-General Jovito Palparan, was tortured but escaped and lived to tell the tale of his plight and of the other people he met in the camps. Among them were Sherlyn Cadapan and Karen Empeno. He reports that he saw them naked and hanging upside down, while they had water poured on them, were hit and sexually violated”, writes Luna.
Luna will be showing work in a group show at the Equator Arts Project gallery at the Gillman Barracks in Singapore, as well as in two solo shows – firstly, at the Pablo Art Gallery in the Philippines from May 26 – June 23 where she has a video/photo projection and a soil/land installation and later in the year at the Manila Contemporary art gallery in September, date (tbc), where she will be creating a multimedia installation that includes stoneware.
On a different note, Emil Kozak who is from Denmark but lives in Spain, has two bodies of work Big Black Nothing (2010-ongoing) for which he walks until he “gets scared or can’t go any further, then takes a photo, and goes back” and Little White Plastic Bird – a project based on a true story.